SHORTY

by Bruce Hughes

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1.
Bonjour 00:23
2.
Hello it’s good to see you again where did you go, how have you been? Have you been all around the world? well actually no I know that it seems hard to believe, but in fact, you the world, revolve around me please give me just a moment to explain we’re so much more than dirt and flame who do you think it is that makes the weather? it’s you and me together but you’ll never stop long enough to see just how beautiful we are, yeah you and me we’re connected but seperate, held by gravity as we move through time and space in perfect harmony and we push and pull the moon and the waves in the sea as we wobble and race with the whole galaxy yeah, we’re wonderous things we’re the key to the key we’ve been doin it doin it this way ever since we came to be and together we’re the luckiest pair savor it now, it’ll be gone before you know do me a favor and kiss tomorrow hello
3.
it’s hard to forget tied down with the anchor of regret it ain’t over yet there’s a sound comin out of the woodwork so yer shipwrecked in bed and you got an anvil for a head it ain’t over yet woodwork squeeks and out come the freaks so you lost all yer bets and you think that thats as good as it gets well it aint over yet woodwork squeeks and out come the freaks
4.
when winters over and you want a hot September weekend you’re tired of smokin come here I’ll pinch your cheek & keep you from thinkin about the woodwork that’s been squeakin I’d be happy to help if you’re sufferin from stress and ya need new medication I’ll sew some sequins on yer dress send you on a long vacation if you need someone to stop you from blowin up the subway station hell I’d be more than happy to help need a dumptruck full of dirt cuz aint nothin growin and the cigarette burn on yer shirt is the only ember glowin ya say ya got a pooodle in yer skirt yeah wanna hear my rooster crowin it couldnt hurt I’ll be happy to help when everybody is gone & everything has headed south all that's sweet has turned to salt and stuck inside your mouth seems like you’ll never get yer parents to move outta your house well that’s a hell of a thing & Ill be happy to help you out when you need to escape turn your screams into a sigh when you need a funkalicious mixtape wheels up and on the fly when you need somebody to peel your grape put a sparkle in your eye honey I be more than happy to help everything once shiny has turned old and gray and dull paste a pretty bow on your tiny little skull then I’ll smash a champaign bottle on your maiden voyage hull honey I’ll be happy to help oh yes I would I would be more than happy to help nana nana hey I’d be happy to help
5.
dear new girl I can’t remember your name but don’t go away yet your crooked smile and your new wave style and your overwhelming love of the roller derby makes my mind forget どちらがあなたなの? 私は昨日生まれませんでした しばらくの間、私たちはお互いを知っていると思いました さかもね I’ve been runnin for what seems to be an eternity the greatest robbers and thieves upon these seas they’re all after me not too old to be a child way to filthy to be a saint wait - no I ain’t dear new girl whatever the hell your name is I like the way you got your laundry list all twisted in your fist that’s really livin dear new girl anyone who’s sorry just has to be forgiven
6.
when you get popular, promise me that you won’t forget me like the ball forgets the bat as it screams thru the air and over the fences bat rolls in the dust and reminisces bout the one good time they had together never to meet again
7.
English Rose 02:20
just as pretty as an english rose you know it’s true she knows it too loves to love and loves it when it shows you’ll forget how she’ll forgive you you’ll stumble over all the wrong things to say scrape and grumble man it never gets any easier but then it’s like the sun has set stopped in it’s tracks and risen once again light shines all around everything glows around the english rose run your fingers thru the air you’ll never breathe enough to know it’s there catch it better catch it quick before it disappears into the distance like a memory man you're tough but not as tough as you used to be hang on tight the altitude this time of night is precious higher still and higher still you’re reaching for the stars you can’t remember who you are all you know is she’s so damn beautiful light shines all around everything glows
8.
want to live? to live is to dream to dream is to be free the freedom to believe I believe you always get what you ask for babe the higher you fly the faster you fall want to sing? sing like you breathe breathe deep and let it be become all the beauty that you seek your secret is safe with me the higher you fly the faster you fall can’t escape from who you are no matter how much or how far you run or try to hide you’re still the same inside remember the higher you fly the faster you fall
9.
Magic 2th 02:42
pretty soon just ain’t soon enough I got back pocket full of gold credit cards maxed out but hey I’m relaxed about it shout it out like a stain on my reputation I’m clean no doubt about it and when the bus rolls by at a quarter to nine AM there she is again turnin my brain to mayhem mornin sun on her skin eyes all glazed and glistenin do you hear me when I’m talkin? nah I ain’t listenin cuz every day’s another day man that’s deep bitch why don’t you be cool toss me the keys to your jeep I got appointments to keep I hear voices in my sleep tell me to wake up and get the hell out of dodge bullets goin zing ricochet I think she’s sayin voulez vous vouchez avec moi mais oui comme quois keep a comin with the stuff that you got welfare Annie got the magic 2th in her boots and her panties baby (that’s for real) I ain’t lyin when I tell ya she’s a dinosaur killer in a world of high dollar faux fashionistas she got the magic 2th in her boots and her panties baby (that’s for real) I ain’t lyin when I tell ya she’s a dinosaur killer in a world of high dollar faux fashionistas The streets are crawlin with well dressed mannequins ya hear me callin? I’m mad for you Annie gonna hide you under my pillow tonight and when I wake up, you’re gone and someone left a dollar and someone took the ’S’ yes? out of sex yes? and left me with the ex nahh I don’t nonono no more got me a model T rex now knockin over trees with a sweep of her tail "Timber" I seen her pow welfare Annie got the magic 2th in her boots and her panties baby (that’s for real) I ain’t lyin when I tell ya she’s a dinosaur killer in a world of high dollar faux fashionistas she got the magic 2th in her boots and her panties baby (that’s for real) I ain’t lyin when I tell ya she’s a dinosaur killer in a world of high dollar faux fashionistas whyn’t ya gimme a little smile Annie? you know that gum you like? well it’s back in style, Annie it make your 2th so shiny lemme see your proclamation of independence girl I don’t care of you’re on welfare give you more time you can hang around here with me as long as you got some WIC lemme see somebody gotta call a Dr so’s I can took a look at that 2th
10.
Daydream 01:53
traveled all the way to China in a day just to see tomorrow’s sunshine and today is another hopped the MKT figured money was the root of all society’s problems and poverty agrees with me and I - I - I have to say it’s just another daydream daydream day and today is just another daydream jump in my baloon and we’ll float up to the moon to the sea of tranquility have a cup of tea with me and I - I - I have to say it’s just another daydream daydream day and today is just another
11.
Otherside 01:12
12.
put on your mask and slippers, coils of rope shuffle down the hallway, steal all the dope crawl inside the wallpaper, make a hasty retreat hide in a forest of despair and deceit water the dark flowers growin behind your eyes pick apart the puzzle throw it in the fire lose your balance tumble fall disappear into thin air do the desperation mambo with the fireflies in your hair he got a chest full of mosquitos smile made of wax folded into quarters and slipped thru the cracks be your own diversion distort and distract burn baby burn you ain’t never comin back never mind the whispers they’re not talkin to you nothin to remember nothin left to do lose your balance tumble fall back on your wooden bed do the desperation mambo with the fireflies in your head you’re gonna float down the river flat on your back dance in the flames fly thru the black skies of december with your wings made of wax burn baby burn you ain’t never comin back
13.
Baby's Bag 02:55
my baby’s gotta a big ol biggety bag and its filled with everything I need silver stars and honey bees oh baby please my baby got a lick on stickety stamp and when that postage comes due I got’s to get right down to it yes I do she says daddy when you gonna take me home? everybody’s seen ya sang yer song and now you simply hangin round too long I’m gonna take my big ol bag and go my baby ain’t never had a problem with can’t cuz she already did yeah she already did everythin she said she’d do damn it’s true my baby’s got a heart as big as her teeth and every time I peek at her over there smilin at me I think what the hell am I doin here hangin around she says daddy when you gonna take me home? everybody’s seen ya sang yer song and you know how I hates to be alone I’m gonna grab up all of my shit and quit this joint I say baby let’s get gone I’m gonna take you home everybody’s seen me sang my song now I got a big ol biggety bag of my own and it’s filled with goodness and glue I’m gone give it to you yes it’s true
14.
stars smash cars crash a powder flash outta cash crypt laugh gut shaft nothin lasts except your sordid past why you comin with the bringdown baby why you livin the nightmare lately your surrealistc expression of abstraction has got the haunted flavor of a time bomb baby erotic heist kick sliced critic sized died twice never melt barely felt misspelled eleven digit cell why you comin with the bringdown baby why you livin the nightmare lately your surrealistc expression of abstraction has got the haunted flavor of a time bomb baby why you comin with the bringdown baby? why you comin with it?
15.
turned it over and over in the palm of his hand like he couldn’t believe what he had done stuck his crooked fingers in his ringing ears hoping he could block the sound of a dying sun taking his time to pull back on the hammer engage the last days fo the suicide kid were lonely days indeed another shot and he won’t feel a thing pull back the plunger and feel the blade breaking free of gravity and fade the last days of the suicide kid were lonely come here hold me close to your chest I think you’ve got misery confused with happiness pushing back on the sweetness of tears spirit wanes and the form disappears breaking free of gravity engage the last days of the suicide kid
16.
Seaside 02:34
if you’re feelin kind of empty if you’re feelin mind of shattered if you feel like nothin matters anymore can’t you see that’s how it happens can’t you see the shadows sometimes they seem darker than they really are take me down to the seaside throw me in the water hold me under until I give in keep me close to the dreamin forever and never falling far from grace again will you take me to the seaside will ya take me to the shore will you show me something I can believe in something I’ve never seen before can’t you see that’s how it happens can’t you see the shadows sometimes they seem longer than they really are
17.
never know what tomorrow’s gonna be like never know what tomorrow’s gonna be why don’t we just live for today let it be known let it be kind let her know if you’ve changed your mind let it show then let it go and maybe you will find that it’s nothin you ever could’ve dreamed up that it’s nothin you ever could’ve dreamed why not lose it all let it slip away let it all stagger and fall once and for all never have to be the same again let it show then let it go maybe it’ll find it’s own way home if we straighten up the rows we can go where no one knows us there’s gotta be a place like that round here if you hold me to the light I swear that you just might see right thru me deep inside all will become clear never know what tomorrow’s gonna be like why don’t we just live for today
18.
Breakdown 02:34
if only desire told me held me higher I’d be better better more alive what’s it gonna take before you finally breakdown what’s it gonna take you can runaway but you can’t escape this town fast enough to break all your big mistakes and you finally breakdown what’s it gonna take before you finally breakdown what’s it gonna take all your big mistakes and you finally breakdown what’s it gonna take before you finally breakdown
19.
sixteen thunders and not a drop of rain how many days until I’m home again I lay in bed and count them in my head sometimes all night long I stay awake to remember you there’s nothing more or less for me to do
20.
Happy Ending 02:02
It’s hard to tell where the end of the road is from where I stand I know it well cuz the end of the roads where I landed last time around I found out love complicated so complicated and now I don’t know how I’m gonna get out out of this town without headin down the same damn road next time around I’m gonna cultivate it I’ll wait and love will create it and now I’ve figure out how to get out from underneath this black cloud by simply standing at the end of the road it’s just the end no use pretending it’s a happy ending

about

I started collecting these short burst snapshots and fever dreams and lullabies, trying to get in and out in under 3 minutes, writing and recording in hotel rooms and backstages while on tour, and at H.I.T.G. at home. I put about 30 in a pile, and headed to Aerie Studio to freshen them up with Mark Addison, in the country outside of Austin, January of ’07. On the day we began, a winter storm hit and turned into a week long ice event, and as we were locked down and studio bound, we became madmen.
Pulling grimy tracks off of demos, we rebuilt each piece out of mapmaker loups and rearview mirrors, dreamcatcher hoops and windmill gears, seaglass kaleidoscopes and kodachrome strips. Day turned into night turned into day. The fantastic became frequency and spirits were summoned, demons were exorcised, fabric was woven.
Once the ice melted and we had a rest, we invited a few of our favorite batteurs to hammer up walls to keep the elements in, and found time to mix it all together later in the year. A curious collection indeed, shorty...

credits

released March 1, 2008

Chip Vayenas - kit (2,3,10,20) percussion (12)
John Chipman - kit (13,17)
Conrad Choucroun - kit (15)
Mark Addison - Arp (2) Wurly (4) pump organ (13) backwards guitar (17), synth (7,16,17) percussion (7,12,20) dedicated inspiration (all)
Raul ‘Ralo’ Vallejo - Trombone
Bruce Hughes - vocals, guitar, bass, piano, keyboards and programming
Keiji Matsumoto, Nariko Ishinaga, Yoko Bowman - Japanese salon
Produced by Bruce Hughes & Arms of Shiva Production
Engineered by Mark Addison, Bruce Hughes and Amy Burchette
Recorded all over the world, final assemblage at the Aerie - Austin, Texas
Mixed by Mark Addison at the Aerie
Mastered by Nancy Matter at Moonlight Mastering
Art direction, Illustration and Package Design by Paul Fucik
Layout and production courtesy of Matt Eskey and Dave Sanger at Freedom Records and Any & All Media

all songs © Lonescar Music (ASCAP)

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Bruce Hughes Austin

Bruce Hughes - Austin, Texas native - bassist, singer, songwriter, guitarist, and producer, making records and music that moves.

‘Late Night Polaroids’ is out now.

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